{"id":9319,"date":"2024-06-06T07:34:50","date_gmt":"2024-06-06T10:34:50","guid":{"rendered":"https:\/\/radiomiami.us\/?p=9319"},"modified":"2024-06-06T12:45:56","modified_gmt":"2024-06-06T15:45:56","slug":"a-los-89-anos-fallecio-el-dramaturgo-roberto-tito-cossa-una-de-las-figuras-iconicas-del-teatro-argentino","status":"publish","type":"post","link":"https:\/\/radiomiami.us\/en\/a-los-89-anos-fallecio-el-dramaturgo-roberto-tito-cossa-una-de-las-figuras-iconicas-del-teatro-argentino\/","title":{"rendered":"A los 89 a\u00f1os falleci\u00f3 el dramaturgo Roberto \u201cTito\u201d Cossa una de las figuras ic\u00f3nicas del teatro argentino."},"content":{"rendered":"
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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 El dramaturgo fue una de las figuras ic\u00f3nicas del teatro argentino.<\/p>\n

Tito Cossa naci\u00f3 el 30 de noviembre de 1934, en\u00a0\u00a0Buenos Aires<\/span><\/a>, justamente el d\u00eda del teatro nacional.<\/h6>\n

 <\/p>\n

Siendo muy joven, tras la muerte de su padre, encontr\u00f3 en el periodismo una profesi\u00f3n af\u00edn a su vocaci\u00f3n autoral, una profesi\u00f3n que ejerci\u00f3 por m\u00e1s de cuarenta a\u00f1os.<\/h6>\n
<\/h6>\n
Trabaj\u00f3 en medios como Clar\u00edn, La Opini\u00f3n, El Mundo, El Cronista Comercial y Prensa Latina, la agencia cubana de noticias.<\/h6>\n
<\/h6>\n
Sin embargo, seg\u00fan sol\u00eda contar, siempre la consider\u00f3 una actividad muy demandante que le imped\u00eda dedicarse a su principal labor, la dramaturgia.<\/p>\n

A partir de 1976, con la llegada de la \u00faltima dictadura, Tito comprendi\u00f3 que hab\u00eda llegado el momento de dedicarse de lleno a su verdadera pasi\u00f3n.<\/p>\n

Por aquella \u00e9poca ya hab\u00eda escrito obras como \u201cNuestro fin de semana\u201d (1964), \u201cLos d\u00edas de Juli\u00e1n Bisbal\u201d (1966), \u201cLa \u00f1ata contra el libro\u201d (1966), \u201cLa pata de la sota\u201d (1967), \u201cTute cabrero\u201d (1968) -llevada al cine bajo direcci\u00f3n de Juan Jos\u00e9 Jusid- y \u201cEl avi\u00f3n negro\u201d (1970) (escrita con Germ\u00e1n Rozenmacher, Carlos Somigliana y Ricardo Talesnik).<\/h6>\n

<\/h6>\n
Pero en 1976, Tito escribi\u00f3 una obra que marc\u00f3 para siempre su vida y la del teatro argentino: \u201cLa Nona\u201d.<\/h6>\n
<\/h6>\n
El \u00e9xito de esta pieza que fue dirigida por Carlos Gorostiza y protagonizada por Ulises Dumont, hizo posible que se dedicar\u00e1 desde entonces exclusivamente a la dramaturgia.<\/h6>\n
<\/h6>\n
Luego llegaron \u201cNo hay que llorar\u201d (1979), \u201cEl viejo criado\u201d (1979), \u201cGris de ausencia\u201d (1981), \u201cTute Cabrero\u201d (1981) -se estrena como obra de teatro-, \u201cYa nadie recuerda a Fr\u00e9d\u00e9ric Chopin\u201d (1982), \u201cEl viento se los llev\u00f3\u201d (1983) -en colaboraci\u00f3n con Jacobo Langsner, Eugenio Griffero y Francisco Anania-, \u201cEl t\u00edo loco\u201d (1974), \u201cDe pies y manos\u201d (1984), \u201cLos compadritos\u201d (1985), \u201cYepeto\u201d (1986), \u201cEl Sur y despu\u00e9s\u201d (1986), entre otras.<\/h6>\n

 <\/p>\n

Tito fue uno de los exponentes de la denominada \u201cGeneraci\u00f3n del Nuevo Realismo\u201d, senda marcada por Carlos Gorostiza.<\/h6>\n

 <\/p>\n

Pero adem\u00e1s de un extraordinario talento como dramaturgo y guionista, Tito Cossa fue un referente cultural que trabaj\u00f3 en defensa de los autores y autoras, y del arte en general en nuestro pa\u00eds.<\/h6>\n
<\/h6>\n
En este camino, fue uno de los promotores de Teatro Abierto, ese movimiento teatral que en tiempos oscuros de nuestro pa\u00eds sali\u00f3 en defensa de las y los creadores, cuando desde los teatros oficiales se sosten\u00eda que no hab\u00eda autores o autoras argentinas para llevar a escena.<\/h6>\n

 <\/p>\n

Aquel mismo compromiso lo llev\u00f3 a\u00f1os m\u00e1s tarde, en 2007, a convertirse en presidente de la Sociedad General de Autores Argentinos (Argentores), consolidando as\u00ed un proceso de puesta en valor de nuestra entidad que se hab\u00eda iniciado unos a\u00f1os antes.<\/h6>\n

 <\/p>\n

Su compromiso como dirigente cultural lo llev\u00f3 tambi\u00e9n a ser presidente de la Fundaci\u00f3n Carlos Somigliana para el est\u00edmulo del autor teatral e integrante de la conducci\u00f3n del hist\u00f3rico Teatro del Pueblo.<\/h6>\n
<\/h6>\n
Adem\u00e1s, como militante por los derechos humanos, Tito Cossa integr\u00f3 la Comisi\u00f3n por la Memoria que preside el Premio Nobel de la Paz, A. P\u00e9rez Esquivel<\/h6>\n
<\/h6>\n
Su trayectoria le vali\u00f3 numerosos y merecidos galardones: el Premio Nacional de Teatro de Argentina, Premio a la Trayectoria de la Ciudad de\u00a0\u00a0Buenos Aires<\/span><\/a>, Premio de Honor de Argentores, el Premio del P\u00fablico y de la Cr\u00edtica de Espa\u00f1a, y Premio Konex de Platino -en reconocimiento como el m\u00e1s importante escritor de Teatro de la d\u00e9cada en Argentina\u2013. Argentores lo consagr\u00f3, adem\u00e1s, en varias oportunidades por sus obras: \u201cLa Nona\u201d, \u201cNuestro fin de semana\u201d, \u201cYepeto\u201d, \u201cEl viejo criado\u201d.<\/h6>\n
<\/h6>\n
Por otra parte, fue nombrado Ciudadano Ilustre de su amada Ciudad de\u00a0\u00a0Buenos Aires<\/span><\/a>\u00a0y las Madres de Plaza de Mayo le otorgaron la distinci\u00f3n \u201cVeinte a\u00f1os juntos\u201d por su compromiso con los derechos humanos.<\/p>\n

\u2013 Con informaci\u00f3n de Argentores. \u2013<\/h6>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 El dramaturgo fue una de las figuras ic\u00f3nicas del teatro argentino. Tito Cossa naci\u00f3 el 30 de noviembre de 1934, en\u00a0\u00a0Buenos Aires, justamente el d\u00eda del teatro nacional.   Siendo muy joven, tras la muerte […]<\/p>\n","protected":false},"author":342,"featured_media":9320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[488,557,931,934,500],"tags":[],"class_list":["post-9319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-argentina","category-comunicacion-y-medios","category-dramaturgo","category-espectaculos","category-fallecimiento"],"acf":[],"yoast_head":"\nA los 89 a\u00f1os falleci\u00f3 el dramaturgo Roberto \u201cTito\u201d Cossa una de las figuras ic\u00f3nicas del teatro argentino. - Radio Miami<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radiomiami.us\/en\/a-los-89-anos-fallecio-el-dramaturgo-roberto-tito-cossa-una-de-las-figuras-iconicas-del-teatro-argentino\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A los 89 a\u00f1os falleci\u00f3 el dramaturgo Roberto \u201cTito\u201d Cossa una de las figuras ic\u00f3nicas del teatro argentino. - Radio Miami\" \/>\n<meta property=\"og:description\" content=\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 El dramaturgo fue una de las figuras ic\u00f3nicas del teatro argentino. 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