{"id":7688,"date":"2023-12-15T10:14:11","date_gmt":"2023-12-15T15:14:11","guid":{"rendered":"https:\/\/radiomiami.us\/?p=7688"},"modified":"2023-12-15T15:25:02","modified_gmt":"2023-12-15T20:25:02","slug":"sebastian-spreng-la-impronta-que-deja-art-basel","status":"publish","type":"post","link":"https:\/\/radiomiami.us\/en\/sebastian-spreng-la-impronta-que-deja-art-basel\/","title":{"rendered":"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019"},"content":{"rendered":"<div class=\"info-bar\">\n<ul class=\"socials\">\n<li>\n<div class=\"st-custom-button icon-linkedin-o\" style=\"box-sizing: border-box; speak: none; font-style: normal; font-weight: 400; font-variant: normal; text-transform: none; line-height: 32px; -webkit-font-smoothing: antialiased; font-family: icomoon !important; cursor: pointer; display: block; width: 32px; height: 32px; background: linear-gradient(#127ce7 0px, #2dc082 100%); border-radius: 0px; color: #ffffff; text-decoration: none; font-size: 28px; overflow: hidden; text-align: center;\" data-network=\"linkedin\" data-url=\"https:\/\/www.artburstmiami.com\/articulos-en-espanol\/la-impronta-que-deja-art-basel\" data-title=\"LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019\" data-image=\"https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-1-3.jpg\" data-description=\"&lt;p&gt;Un voraz mercado de piezas de diferentes val\u00eda art\u00edstica y econ\u00f3mica que no obstante va dejando una leve pero firme impronta en esta joven ciudad.\u00a0&lt;\/p&gt; \"><\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div class=\"card\">\n<div class=\"card-img-top\"><img fetchpriority=\"high\" decoding=\"async\" class=\"thumbnail-single-post wp-post-image aligncenter\" src=\"https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-1-3.jpg\" sizes=\"(max-width: 1920px) 100vw, 1920px\" srcset=\"https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-1-3.jpg 1920w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-1-3-500x361.jpg 500w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-1-3-1024x739.jpg 1024w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-1-3-1536x1109.jpg 1536w\" alt=\"\" width=\"724\" height=\"523\" \/><\/div>\n<\/div>\n<p><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u201cPfeil zum Kreis\u201d (1930), del pintor ruso<b>\u00a0<\/b>Wassily Kandisnky (1866-1944). Fotograf\u00eda: Daniel Davis<\/em><\/p>\n<p>Si entre junio y noviembre Miami transita la amenaza de huracanes, desde hace m\u00e1s de dos d\u00e9cadas esta temporada se extiende hasta los primeros d\u00edas de diciembre. A diferencia de aquellos, estos inevitables vientos son de otro tenor, llegan seguro bajo el nombre de\u00a0<a href=\"https:\/\/www.artbasel.com\/\">Art Basel<\/a>, la inmensa feria de arte suiza que descendiendo como nave madre ha transformado el panorama art\u00edstico miamense, o al menos eso parece.<\/p>\n<p>Para esta edici\u00f3n 2023, en el remozado\u00a0<a href=\"https:\/\/www.miamibeachconvention.com\/\">Convention Center de Miami Beach<\/a>, se cont\u00f3 con la participaci\u00f3n de 277 galer\u00edas que concitaron casi 80,000 visitantes en un fin de semana largo que comenz\u00f3 el mi\u00e9rcoles 6 de diciembre con la concurrida apertura VIP. Al mismo tiempo, ferias sat\u00e9lites aprovecharon la ocasi\u00f3n instal\u00e1ndose en \u00e1mbitos diversos siendo la mas notable la pionera\u00a0<a href=\"https:\/\/www.artmiami.com\/\">Art Miami<\/a>\u00a0establecida mucho antes del advenimiento de su poderosa hermana europea.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>A su vez, los museos de la ciudad afilan la punter\u00eda para lucirse con lo mejor de su a\u00f1o. Merecen destacarse al artista local Hernan Bas en el\u00a0<a href=\"https:\/\/thebass.org\/\">Bass Museum of Art de Miami Beach<\/a>\u00a0con su flamante serie \u201cLos conceptualistas\u201d al igual que el cubano Alejandro Pineiro Bello en el\u00a0<a href=\"https:\/\/www.rubellmuseum.org\/\">Rubell Museum<\/a>\u00a0adem\u00e1s de las exposiciones de Gary Simmons con 70 obras y la primera del miamense Jason Seife con sus filigranados \u201cmosaicos persas\u201d en el\u00a0<a href=\"https:\/\/www.pamm.org\/es\/\">Perez Art Museum Miami<\/a>\u00a0(PAMM), tambi\u00e9n Sasha Gordon en el\u00a0<a href=\"https:\/\/icamiami.org\/\">ICA Miami<\/a>\u00a0y el flamante\u00a0<a href=\"https:\/\/elespacio23.org\/\">Espacio 123<\/a>, otros de los emprendimientos muse\u00edsticos que han revitalizado barrios otrora marginales como Wynwood y Allapatah.<\/p>\n<p>Este a\u00f1o, la feria madre volvi\u00f3 \u00a0a dividirse en sectores agrupando las diferentes tendencias (Meridians, Positions, Kabinett, Survey, Nova y el central de galer\u00edas) apreci\u00e1ndose la m\u00e1s amplia y despojada para mejor circulaci\u00f3n y comprensi\u00f3n del visitante. Como viene not\u00e1ndose en ediciones anteriores se reduce la presencia de popes actuales (l\u00e9ase Kiefer, Richter, Kentridge, etc), hay menos experimentaci\u00f3n (am\u00e9n de que haya sectores dedicados a este rengl\u00f3n) y una tendencia mas conservadora que quiz\u00e1s posibilita mayores ventas.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<div id=\"attachment_19926\" class=\"wp-caption aligncenter\">\n<p><img decoding=\"async\" class=\"size-medium wp-image-19926\" src=\"https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-2-3-354x500.jpg\" sizes=\"(max-width: 354px) 100vw, 354px\" srcset=\"https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-2-3-354x500.jpg 354w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-2-3-724x1024.jpg 724w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-2-3-1086x1536.jpg 1086w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-2-3.jpg 1358w\" alt=\"\" width=\"354\" height=\"500\" aria-describedby=\"caption-attachment-19926\" \/><\/p>\n<p id=\"caption-attachment-19926\" class=\"wp-caption-text\">\u201cDans la tour\u201d (1952) de la pintora \u00edtalo-argentina Leonor Fini (1907-1996). Fotograf\u00eda: Daniel Davis (cortes\u00eda)<\/p>\n<\/div>\n<p>La frondosa cobertura internacional no deja de destacar desde la desmesurada cantidad de \u201ceventos\u201d imposibles de abarcar y que en definitiva provocan retracci\u00f3n por agotamiento, a los acuciantes problemas de tr\u00e1fico y estacionamiento (la ciudad no da abasto, no parece preveerlo y no da se\u00f1ales de estar en v\u00edas de soluci\u00f3n) a fiestas multitudinarias a todos los niveles; de hecho, un titular reza \u201cC\u00f3mo vender arte a ricos, famosos y borrachos\u201d.<\/p>\n<p>Mucho m\u00e1s optimistas resultan renglones emergentes como el arte africano en varias vertientes \u2013 exquisita instalaci\u00f3n del jamaiquino\u00a0<a href=\"https:\/\/ebonygpatterson.com\/\">Ebony G. Patterson<\/a>\u00a0y sus gigantescos collages -, el que Miami sea el tan obvio como obligado punto de encuentro con artistas latinoamericanos y la reconsideraci\u00f3n- o en alg\u00fan caso \u201cdescubrimiento\u201d- de importantes figuras del pasado reciente.<\/p>\n<p>En este sentido, entre lo mas destacable de esta edici\u00f3n se halla Leonor Fini que a treinta a\u00f1os de su muerte parece gozar de una merecida revalorizaci\u00f3n. La surrealista \u00edtalo-argentina fue una multifac\u00e9tica artista pionera y su inclusi\u00f3n en la feria con importantes trabajos fue uno de los hitos incontestables (<a href=\"https:\/\/www.artbasel.com\/rooms\/detail\/64853\/Weinstein-Gallery\">Weinstein Gallery<\/a>). Asimismo, la fant\u00e1stica obra del brasile\u00f1o Chico da Silva (1910-1985) con su imaginer\u00eda ind\u00edgena fue otro soplo de aire fresco que aport\u00f3 exuberancia amaz\u00f3nica, solidez e inter\u00e9s al panorama internacional (<a href=\"https:\/\/www.artbasel.com\/events\/detail\/63452\/Chico-da-Silva\">David Kordansky Gallery<\/a>).<\/p>\n<p>No faltaron los consabidos Picasso, Bacon, Kandinsky, Basquiat, Chagall, Nevelson, \u201cPlantoir Red\u201d de Claus Oldenburg o la ya tradicional presencia de galer\u00edas como Acquavella, Gagosian, la florentina Tornabuoni o White Tube con sus artistas exclusivos. Deleit\u00f3 una infinita trama de oro por Yakoi Kusama, el Purgatorio de Tacita Dean, un austero Pierre Soulages en Karsten Greve \u2013 que tambi\u00e9n mostr\u00f3 una serie de bell\u00edsimos trabajos de la inglesa Georgia Rusell-, la rubenesca Bacchanalia de Flora Yukhnovich y los minuciosos, fascinantes tapices de la gran Howardena Pindell.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<div id=\"attachment_19925\" class=\"wp-caption aligncenter\">\n<p><img decoding=\"async\" class=\"size-medium wp-image-19925\" src=\"https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-3-3-500x373.jpg\" sizes=\"(max-width: 500px) 100vw, 500px\" srcset=\"https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-3-3-500x373.jpg 500w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-3-3-1024x765.jpg 1024w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-3-3-1536x1147.jpg 1536w, https:\/\/www.artburstmiami.com\/wp-content\/uploads\/2023\/12\/PHOTO-3-3.jpg 1920w\" alt=\"\" width=\"500\" height=\"373\" aria-describedby=\"caption-attachment-19925\" \/><\/p>\n<p id=\"caption-attachment-19925\" class=\"wp-caption-text\">\u201cUrutat\u00fa\u201d (1983), del pintor uruguayo Jos\u00e9 Gamarra. Fotograf\u00eda: Daniel Davis (cortes\u00eda)<\/p>\n<\/div>\n<p>Del mismo modo, imposible no reparar en la\u00a0 detallada obra de Charles Gaines\u00a0<a href=\"https:\/\/www.artbasel.com\/rooms\/detail\/61054\/Hauser-Wirth\">(Hauser &amp; Wirth<\/a>) o en las exquisitas series m\u00ednimas del brasile\u00f1o Paulo Pasta (1959-) en<a href=\"https:\/\/www.artbasel.com\/rooms\/detail\/64053\/David-Nolan-Gallery\">\u00a0David Nolan<\/a>\u00a0ni \u00a0la presencia americana con varios Cy Twombly frente a cl\u00e1sicos Milton Avery. Asimismo, desde el cono sur igualmente vale resaltar la sala\u00a0<a href=\"https:\/\/www.artbasel.com\/catalog\/artist\/8418\/Luis-Tomasello\">Luis Tomasello<\/a>\u00a0(en DAN), Cruz Diez, Aizemberg, Xul Solar, o los estupendos Figari, Gamarra, Gurivch y Torres Garcia de la impecable\u00a0<a href=\"https:\/\/www.artbasel.com\/catalog\/gallery\/1289\/Galer%C3%ADa-Sur\">Galeria Sur<\/a>\u00a0uruguaya.<\/p>\n<p>Por poco, demasiado poco tiempo, apenas una semana, Miami se siente orgullosa \u201cReina por un d\u00eda\u201d. Coleccionistas, aficionados o meros curiosos aprovechan una experiencia visual cosmopolita sin reparar que en vez de ARTE\u00a0<i>per se<\/i>, asista al despiadado \u201cnegocio del arte\u201d. Un voraz mercado de piezas de diferentes val\u00eda art\u00edstica y econ\u00f3mica que no obstante va dejando una leve pero firme impronta en esta joven ciudad.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Valga el ejemplo de la hija de una amiga que literalmente ha crecido con Art Basel; cada edici\u00f3n su madre le propuso el juego de seleccionar una obra que comprar\u00eda, otra que no y otra que quiz\u00e1s ella misma pudiera ejecutar. Su entusiasmo ha crecido a\u00f1o tras a\u00f1o a tal punto que este 2023 acarre\u00f3 toda su clase gui\u00e1ndose bajo la misma premisa.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>El arte permea y se decanta solo, sus caminos son sinuosos e ins\u00f3litos, no en vano el pintor rom\u00e1ntico alem\u00e1n Caspar David Friedrich afirmaba que \u00abEl arte es un juego, pero el m\u00e1s serio de los juegos\u00bb.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u201cPfeil zum Kreis\u201d (1930), del pintor ruso\u00a0Wassily Kandisnky (1866-1944). Fotograf\u00eda: Daniel Davis Si entre junio y noviembre Miami transita la amenaza de huracanes, desde hace m\u00e1s de dos d\u00e9cadas esta temporada se extiende hasta los primeros d\u00edas de [&hellip;]<\/p>\n","protected":false},"author":342,"featured_media":7689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[493,515,519,502,497,494,495],"tags":[],"class_list":["post-7688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-arte","category-cultura","category-eeuu","category-eventos","category-noticias","category-tvradiomiami"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019 - Radio Miami<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radiomiami.us\/en\/sebastian-spreng-la-impronta-que-deja-art-basel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019 - Radio Miami\" \/>\n<meta property=\"og:description\" content=\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u201cPfeil zum Kreis\u201d (1930), del pintor ruso\u00a0Wassily Kandisnky (1866-1944). Fotograf\u00eda: Daniel Davis Si entre junio y noviembre Miami transita la amenaza de huracanes, desde hace m\u00e1s de dos d\u00e9cadas esta temporada se extiende hasta los primeros d\u00edas de [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/radiomiami.us\/en\/sebastian-spreng-la-impronta-que-deja-art-basel\/\" \/>\n<meta property=\"og:site_name\" content=\"Radio Miami\" \/>\n<meta property=\"article:author\" content=\"RadioMiami\" \/>\n<meta property=\"article:published_time\" content=\"2023-12-15T15:14:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-15T20:25:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/radiomiami.us\/wp-content\/uploads\/2023\/12\/Pfeil.-1930-Art-Basel.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1386\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Agustin Rangugni\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Agustin Rangugni\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/\"},\"author\":{\"name\":\"Agustin Rangugni\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#\\\/schema\\\/person\\\/7cd9bdf85211ca5f1d78cf087f1fe348\"},\"headline\":\"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019\",\"datePublished\":\"2023-12-15T15:14:11+00:00\",\"dateModified\":\"2023-12-15T20:25:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/\"},\"wordCount\":978,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/radiomiami.us\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/Pfeil.-1930-Art-Basel.jpg\",\"articleSection\":[\"Actualidad\",\"Arte\",\"Cultura\",\"EEUU\",\"Eventos\",\"Noticias\",\"TVRadioMiami\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/\",\"url\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/\",\"name\":\"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019 - Radio Miami\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/radiomiami.us\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/Pfeil.-1930-Art-Basel.jpg\",\"datePublished\":\"2023-12-15T15:14:11+00:00\",\"dateModified\":\"2023-12-15T20:25:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/#primaryimage\",\"url\":\"https:\\\/\\\/radiomiami.us\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/Pfeil.-1930-Art-Basel.jpg\",\"contentUrl\":\"https:\\\/\\\/radiomiami.us\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/Pfeil.-1930-Art-Basel.jpg\",\"width\":1920,\"height\":1386},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/sebastian-spreng-la-impronta-que-deja-art-basel\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/radiomiami.us\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#website\",\"url\":\"https:\\\/\\\/radiomiami.us\\\/\",\"name\":\"www.RadioMiami.us\",\"description\":\"Informaci\u00f3n clara y sint\u00e9tica\",\"publisher\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/radiomiami.us\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#organization\",\"name\":\"Radio Miami\",\"url\":\"https:\\\/\\\/radiomiami.us\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/radiomiami.us\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/cropped-WhatsApp-Image-2022-05-09-at-7.36.03-PM.jpeg\",\"contentUrl\":\"https:\\\/\\\/radiomiami.us\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/cropped-WhatsApp-Image-2022-05-09-at-7.36.03-PM.jpeg\",\"width\":600,\"height\":235,\"caption\":\"Radio Miami\"},\"image\":{\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/radiomiami.us\\\/#\\\/schema\\\/person\\\/7cd9bdf85211ca5f1d78cf087f1fe348\",\"name\":\"Agustin Rangugni\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/8f0a6f5b7d4c7e97358be5051177942e378be38b48d208bc47375bde35b3113b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/8f0a6f5b7d4c7e97358be5051177942e378be38b48d208bc47375bde35b3113b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/8f0a6f5b7d4c7e97358be5051177942e378be38b48d208bc47375bde35b3113b?s=96&d=mm&r=g\",\"caption\":\"Agustin Rangugni\"},\"sameAs\":[\"http:\\\/\\\/www.RadioMiami.us\",\"RadioMiami\"],\"url\":\"https:\\\/\\\/radiomiami.us\\\/en\\\/author\\\/agustin\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019 - Radio Miami","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/radiomiami.us\/en\/sebastian-spreng-la-impronta-que-deja-art-basel\/","og_locale":"en_US","og_type":"article","og_title":"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019 - Radio Miami","og_description":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u201cPfeil zum Kreis\u201d (1930), del pintor ruso\u00a0Wassily Kandisnky (1866-1944). Fotograf\u00eda: Daniel Davis Si entre junio y noviembre Miami transita la amenaza de huracanes, desde hace m\u00e1s de dos d\u00e9cadas esta temporada se extiende hasta los primeros d\u00edas de [&hellip;]","og_url":"https:\/\/radiomiami.us\/en\/sebastian-spreng-la-impronta-que-deja-art-basel\/","og_site_name":"Radio Miami","article_author":"RadioMiami","article_published_time":"2023-12-15T15:14:11+00:00","article_modified_time":"2023-12-15T20:25:02+00:00","og_image":[{"width":1920,"height":1386,"url":"https:\/\/radiomiami.us\/wp-content\/uploads\/2023\/12\/Pfeil.-1930-Art-Basel.jpg","type":"image\/jpeg"}],"author":"Agustin Rangugni","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Agustin Rangugni","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/#article","isPartOf":{"@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/"},"author":{"name":"Agustin Rangugni","@id":"https:\/\/radiomiami.us\/#\/schema\/person\/7cd9bdf85211ca5f1d78cf087f1fe348"},"headline":"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019","datePublished":"2023-12-15T15:14:11+00:00","dateModified":"2023-12-15T20:25:02+00:00","mainEntityOfPage":{"@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/"},"wordCount":978,"commentCount":0,"publisher":{"@id":"https:\/\/radiomiami.us\/#organization"},"image":{"@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/#primaryimage"},"thumbnailUrl":"https:\/\/radiomiami.us\/wp-content\/uploads\/2023\/12\/Pfeil.-1930-Art-Basel.jpg","articleSection":["Actualidad","Arte","Cultura","EEUU","Eventos","Noticias","TVRadioMiami"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/","url":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/","name":"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019 - Radio Miami","isPartOf":{"@id":"https:\/\/radiomiami.us\/#website"},"primaryImageOfPage":{"@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/#primaryimage"},"image":{"@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/#primaryimage"},"thumbnailUrl":"https:\/\/radiomiami.us\/wp-content\/uploads\/2023\/12\/Pfeil.-1930-Art-Basel.jpg","datePublished":"2023-12-15T15:14:11+00:00","dateModified":"2023-12-15T20:25:02+00:00","breadcrumb":{"@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/#primaryimage","url":"https:\/\/radiomiami.us\/wp-content\/uploads\/2023\/12\/Pfeil.-1930-Art-Basel.jpg","contentUrl":"https:\/\/radiomiami.us\/wp-content\/uploads\/2023\/12\/Pfeil.-1930-Art-Basel.jpg","width":1920,"height":1386},{"@type":"BreadcrumbList","@id":"https:\/\/radiomiami.us\/sebastian-spreng-la-impronta-que-deja-art-basel\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/radiomiami.us\/"},{"@type":"ListItem","position":2,"name":"Sebasti\u00e1n Spreng : LA IMPRONTA QUE DEJA \u2018ART BASEL\u2019"}]},{"@type":"WebSite","@id":"https:\/\/radiomiami.us\/#website","url":"https:\/\/radiomiami.us\/","name":"www.RadioMiami.us","description":"Informaci\u00f3n clara y sint\u00e9tica","publisher":{"@id":"https:\/\/radiomiami.us\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/radiomiami.us\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/radiomiami.us\/#organization","name":"Radio Miami","url":"https:\/\/radiomiami.us\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/radiomiami.us\/#\/schema\/logo\/image\/","url":"https:\/\/radiomiami.us\/wp-content\/uploads\/2022\/05\/cropped-WhatsApp-Image-2022-05-09-at-7.36.03-PM.jpeg","contentUrl":"https:\/\/radiomiami.us\/wp-content\/uploads\/2022\/05\/cropped-WhatsApp-Image-2022-05-09-at-7.36.03-PM.jpeg","width":600,"height":235,"caption":"Radio Miami"},"image":{"@id":"https:\/\/radiomiami.us\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/radiomiami.us\/#\/schema\/person\/7cd9bdf85211ca5f1d78cf087f1fe348","name":"Agustin Rangugni","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/8f0a6f5b7d4c7e97358be5051177942e378be38b48d208bc47375bde35b3113b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/8f0a6f5b7d4c7e97358be5051177942e378be38b48d208bc47375bde35b3113b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8f0a6f5b7d4c7e97358be5051177942e378be38b48d208bc47375bde35b3113b?s=96&d=mm&r=g","caption":"Agustin Rangugni"},"sameAs":["http:\/\/www.RadioMiami.us","RadioMiami"],"url":"https:\/\/radiomiami.us\/en\/author\/agustin\/"}]}},"_links":{"self":[{"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/posts\/7688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/users\/342"}],"replies":[{"embeddable":true,"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/comments?post=7688"}],"version-history":[{"count":2,"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/posts\/7688\/revisions"}],"predecessor-version":[{"id":7691,"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/posts\/7688\/revisions\/7691"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/media\/7689"}],"wp:attachment":[{"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/media?parent=7688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/categories?post=7688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiomiami.us\/en\/wp-json\/wp\/v2\/tags?post=7688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}